Misato has momentarily substituted Rei for Asuka in the synchro-attack training and Rei aces it the first try. She is not yet willing to accept his help, not while blinded by her anger. It is interesting that Yui waited until Asuka's apparent death to move Eva 01. TikTok video from scaramouche main (@fyodorappreciator): ""shinji chair asuka hospital scene" SHUT THE FUCK UP #shinjiikari #shinji #neongenesisevangelion #nge". Explore the latest videos from hashtags: #hospitalscene, #shinjihospitalscene, #shrinershospital, #asukaandshinji, #yoshodahospital, #shandshospital . They have an eventful first meeting, complete with instant dislike and sexual misunderstandings. In-story: shinji can't figure out how to honestly relate to asuka except as a sex object, so when given the opportunity, he does a terrible, selfish thing without regard for her. Asuka is shown to express awareness of Shinji's attraction for her, something she had known since the end of ep.9, but likely received further confirmation of, during Instrumentality. It is interesting to see how, after the kiss, Asuka seems to be even more frustrated by Shinji's density. As Misato is accompanying Shinji home, he expresses to her how he didn't enjoy being praised due to Asuka's angry reaction, showing concern for her. They are quarreling like a married couple. While many fans consider Neon Genesis Evangelion (as well as the sequel and remakes of the series) to be a "masterpiece" of anime, there is a large fan-base of hatred towards the franchise's main character, Shinji Ikari.. RELATED: Hideaki Ano's 10 Best Works That Aren't Evangelion, Ranked (According To IMDb) While the series is intended to reflect a reconstruction of the Mecha genre, which . In truth, Shinji's attempts to help Asuka are simply a selfish way to gain her love and acceptance. Becoming whole new people after being children is hard. Is Asuka Langley Soryu abusive towards Shinji? Episode 26: a positive version of a tear jerker . If anyone made Asuka cry it was Misato. The mind-violation doesn't help Asuka better accept herself or Shinji, it simply serves the purpose of allowing the viewer to better understand her. This is an additional hint of Asuka's need for other people's support. The scene ends with Shinji begging for someone to love him and not leave him alone, only to be met with Asuka's final rejection. He goes to the NERV hospital to see a comatose Asuka, pleading for her to help him. There is evidence that that Asuka made the conscious decision to live as an individual and returned from Instrumentality, similarly to Shinji, and has even chosen to lay down at his side. Anno had first approached Satsukawa about the project, which he felt was a way for Anno to "run away from Eva". Shinji, at this moment, is too unstable and insecure and reverts to thinking that Asuka, as well as Misato and Rei, should somehow just revolve around him, as he is unwilling to navigate the ambiguity, insecurity and emotional needs of others, a crucial part of human relationships. Armed with new knowledge that her mother has always been by her side, a rejuvenated Asuka easily defeats the JSSDF attackers. Taking place at the end of Instrumentality, it shows Asuka and Shinji lying on a beach, in front of Rei's remains. Further reinforcing how Shinji has supplanted Kaji as the target of her ambitions, he appears beside her ex-guardian. After this moment and in Episode 16, Evangelion as a whole has a tonal shift, and becomes far darker and more blatantly philosophical and psychological. The evening before the fight, Asuka and Shinji are left alone at home by Misato. Rei also questions him on this: Rei: Ikari, did you really try to understand? Instead of going on the school trip Asuka, Shinji and Rei spend their time at the swimming pool. See: Shinji's original line, "", translates literally to "I want to be with you forever". After Shinji's safe return, she is shown to further express envy for the attention given to him, when Misato hugs him in tears, by saying to her: "Didn't you say you would scold him?". See more ideas about asuka, neon genesis evangelion, evangelion. While the Angels' uncanny designs and movements fit the tone of the story well, they are not really the most personalized characters in the show. She was willing to open up to him, only to be hurt in return. It's only after she takes a deep breath, takes a moment to focus, and puts on her cutest smile that she enters the room. This is certainly one of the scenes in which the duality of their relationship is most obvious. This could have been made by Touji and/or Kensuke poking fun at the "married couple" as they do early in other episodes, with Asuka taking notice of it and scribbling over it, or Asuka simply drew this herself, only to immediately regret it, and try to erase it, and calling herself an idiot for doing so, in her usual prideful tsundere manner, with her classmates also taking notice later. When Kaji arrives home with Misato, she quickly puts up a smile and tries to get him to spend some time with her. An interesting detail about the events of the episode is that they follow a circular structure. Starting off with Asuka moving to Shinji's school (and eventually his house), the episode focuses on the previously introduced theme of synchronization. Eventually, they reach the headquarters and manage, with a group effort, led (this time successfully) by Asuka, to defeat the angel. Forced to come to terms with her feelings for him, she snarls: "Why are you there?! The episode begins with Asuka feeling rejected by Kaji, then bored by the date, not feeling understood by Shinji and ends with her, once again, feeling rejected by Kaji. You made a girl cry!". # anime # evangelion # asuka # neon genesis evangelion # shinji # gin # bleach # edit # shinji # aizen She also expresses her annoyance at Shinji having yet to learn the identity of the fourth pilot (Toji). Pasukan garuda timur tengah 2019. Harkening back to Asuka's desire to be perceived as an adult, Kaji, whom Asuka now has further confirmation is lost to her, appears, telling her again that she's still a child which Shinji also says to himself earlier in Episode 9 when he catches a glimpse of Asuka crying for her mother. Asuka is equally fragile after she inflicts harm on herself and is in the hospital for observation. Their second exchange tackles Shinji's inability to help and understand Asuka. Essentially, in Asuka's case, she rejects the part of herself she deems unacceptable in an attempt to maintain a positive image of herself as an independent and mature person. Asuka is in a coma and Shinji is struggling. She is calling Kaji on the phone but fails to get through to him, forcing her to leave a message. See: Everything You've Ever Dreamed. In cinematography, such a shot reverse shot technique is often used to imply a disconnect between two characters. In the English dub, the context here is more obvious, so it's outright translated as "when you make love to me". Once again the duality of their relationship comes into play to complicate things. As such, clashing with him on a regular basis causes Asuka to shift onto Shinji part of the hatred she feels for herself. Asuka's reaction comes as a surprise; she caresses him, an act of acceptance meant to symbolize Asuka's growth. Instead of reacting violently, this friend felt no fear, hatred or even a need for survival, but rather a desire to caress him tenderly. Shinji knows nothing". Typically antagonists in stories have interesting backgrounds and motives, which lead them to what they do. (itself an euphemism in Enlgish), in the Japanese literally "Is that why you held/embraced him?". During a particularly memorable scene in End of Evangelion, where Shinji visits a comatose Asuka in the. He represents all that Asuka fears to accept about herself: an insecure person always in need of other people's acceptance and love. Likewise, Misato replies, "No, I embraced him because I loved him.". Both events can be summed up as moments where Shinji has inadvertently done profound and deep emotional damage to Asuka. What did Shinji do to Asuka in the hospital? It is and is not the final scene of EoE." This is also supported in a more subtextual manner via clever use of cuts during important moments to establish a parallel between the Shinji/Asuka relationship and that of Misato and Kaji. LIKE HELLO???? In this scene, Asuka's uneasiness and nervousness at Shinji being on her mind, and talking about him with Hikari, is made quite clear. Check out our shinji and asuka selection for the very best in unique or custom, handmade pieces from our shops. It's similar to writing a heart shape with "Asuka+Shinji" inside it. Asuka and Shinji are employed together, but she proceeds to charge the opponent on her own, forcing Shinji to cover her, with the sole purpose of proving to him and everyone else her superiority. Shinji embodies Asuka's shadow. In the scene in question, Asuka expresses to Shinji her determination to succeed as a pilot, while Shinji is shown to look up to her, expressing admiration for her confidence and strong personality. Regardless of this, the four main exchanges between Asuka and Shinji are worthy of individual analysis. Asuka, for what it is worth, finally decides to bite the bullet and attempts to do the thing that everyone around Shinji, including herself, have been trying to avoid for the longest time, namely telling him the truth. Throughout the Action Arc and into the beginning of the Descent Arc their interactions follow many conventions of romantic comedy. Thanks to the mind-violation sequence (ep.22), we know that boredom was just a small part of it. Later, at the end of the episode, Asuka is seen trying to spend some time with Kaji. The best GIFs are on GIPHY. It is at this point, after the two of them receive an earful from Fuyutsuki, that Misato decides to make them train to reach better synchronization with each other. This is in contrast to Gendo and Ritsuko's relationship, who also follow similar patterns but are far more negative and escapist, with Gendo very clearly being associated as a Shinji that never got past his issues even into adulthood, particularly in Episode 21. [7] It's unlikely Shinji did it himself, as he's, of course, shy about expressing his feelings. After Shinji is absorbed, Asuka tries to mask her concern for Shinji by saying he acted recklessly and deserved it, which angers Rei. She has finally made a genuine, open effort to reach out to him. . But before Asuka can finally break the reveal out loud, Bardiel sneaks in on her while she is distracted, and incapacitate her and Eva-02. Hikari then asks her to go on a blind date, which she agrees to. In Episode 22, above, Shinji is physically distant from Asuka, they are divided by a physical object, and Shinji is visibly tense as he is unable to comfort a visibly crying and furious Asuka. In the series she had shown to understand him, but never to such an extent. Asuka is unwilling to serve as just Shinji's escape and emotional crutch, and thinks Shinji is unable to return any affections and treat her as a human being. And let us all meet in bloody combat." She is also manipulative towards him and uses him for her own validation. the hospital scene establishes his state being as low as it can be, setting the stage for the rest of the film. As a result, she tries to change subjects and to talk about Kaji. Shinji's overwhelmed and begs the unconscious Asuka to help him. During instrumentality, everybody is formed into one being, allowing people to look into the minds of others, and during this time, Asuka looks into Shinji's mind and learns what he did in the hospital (it's also during this time that she learns that he actually does have feelings for her, and he just did not know how to communicate it.) Where the first event started Asuka on her course to towards the edge, the second was by all appearances what finally pushed her over it. Shinji's reaction isn't particularly amusing for Asuka, as he doesn't quite know what to say and blushes, prompting Asuka to call him a "boring little boy". Misato comes in Shinji's defense asking Asuka to adapt to him, which she refuses to do, and then replacing her with Rei, in an attempt to poke Asuka's pride and make her compromise. Asuka is demanding here that Shinji return her attempts at affection, she demands reciprocity, even if she also unwilling to give it back herself. Asuka tries to make up for the inconvenience by looking for Shinji's attention, making fun of him for having issues at school (she has already completed university studies) and provoking him with her swimsuit, as she explains to him the basic concept of thermal expansion. And from Asuka's dialogue that overlaps these scenes, it becomes clear that she has been looking for help and love from Shinji."[6]. shinji 52 GIFs. Even assuming she was spiteful of Kaji, one doesn't understand the real underlying motive. The moment also proves to Asuka her importance to Shinji, making his future failures (to help her) even more frustrating. 22 we find it meant a lot more. This is done echoing the way his mother Yui caressed Shinji just before he returned to the real world. Asuka is shown to go out of her way to avoid Misato and Shinji, as she clearly has yet to accept having "lost" to them. In Japanese, "using something as a side dish" is an expression for using something or someone for one's erotic fantasies, but with the underlying implication that the person using the "side dish" is too scared to actually act on their feelings. Read Chapter 23: Oh my Glob from the story Y/N get in the damn Robot (Neon Genesis Evangelion x Male Reader) by Ashma_Star (Ashatos) with 263 reads. While he's there, he accidentally removes her hospital gown, exposing her breasts. After Asuka runs from the room Hikari says to Shinji: "Go after her! The obvious purpose of the scene is to express Shinji's attraction for her and to hint at Asuka's loneliness. It is in fact his cluelessness that becomes the main theme of the episode. ngeles y demonios . However, there is plenty of evidence pointing out that it is indeed her soul inside Instrumentality, much like Misato and Shinji herself. The poster for End of Evangelion directly parallels this scene, except that this time Asuka and Shinji are close to one another, the barrier between is gone, and they seem much more relaxed and at ease with each other. 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