Technicolor mated these squeeze adapters to 3-strip cameras that had been converted to VistaVision. We also like the focus stabilizing feature of the large Brenkert lamp house wherein a jet of air hits the projected frame from the lens side of the film and low velocity air cools the film on the lamp-house side. In theaters that do not have multiple loudspeakers, it will be necessary to buy additional loudspeakers and their associated amplifiers, the cost of which should be approximately $2,000 installed, except for very large theaters where the cost may be higher. We are, however, setting down some general principles and recommendations which can be used as a guide. Technicolor films are known for their bright, bold, saturated colors. Alfred Hitchcock used VistaVision for many of his films in the 1950s. Its entirely mobile, operable, and easy to use meanwhile the blimp required an insane amount of knowledge and technical skill to operate. The process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope (2.35:1) (which became the standard), but it is actually 2.25:1 on the negative.[1]. A loss does occur on the 2.55/1 anamorphic pictures when the aspect ratio is reduced by side cropping, and some loss does occur when pictures made from standard negatives are cropped. These squeezed prints will be made in the same manner and from the same negative as the standard prints, except that in optical reduction the picture area will be taken from the area of the negative that supplies the portion of the picture normally used in 2/1 aspect ratio projection from the standard print. Spider-Man films, and Christopher Nolans These cameras will be available shortly as a further expedient to gain immediate production by the VistaVision process. unprintable. Whatever it is, this much remains certain: cinema wouldnt be what it is today without Technicolor. As soon as the Chrtien lens was again considered for industry use, Paramount went on record with the Motion Picture Research Council and the studios of the industry in a letter written by the writer on February 11, 1953, recommending that if anamorphic lenses were to be used, they should be used in a compression and/or expansion ratio of 1 1/2 (not 2/1) so as to give a picture aspect ratio of 2/1 on the screen. It got so hot in those costumes that the crew feared for their safety. With respect to the sub-title foreign release, it is the writer's earnest recommendation that all theaters that exhibit sub-titled pictures use an aspect ratio of 1.66/1 or 1.33/1. We believe that in our use of the VistaVision process we have selected the best ratio of negative area to positive area for motion picture making. The editorial and studio handling of these prints is exactly the same as the previous handling of daily, except that special negative numbers are placed on both print and negative for future negative cutting. Using new Mitchell movements, Technicolor converted six of their old three-strip color cameras for VistaVision. Films were starting to be shot in widescreen through processes like Cinemascope and VistaVision. If Technicolor was . ; ; ; ; ; ; ; Paramount urges that every exhibitor have good standard projection equipment, good standard type lenses and adequate screen illumination. For large houses we recommend purchasing a metallized seamless screen that has a light gain of two and one-half to one. In the CinemaScope system the camera lens picks up a scene that is 2.66 times as wide as it is high. Loudspeaker D should be connected to the same electrical circuit as loudspeaker A but operated at a lower level, and loudspeaker E should be connected to the same electrical circuit as loudspeaker C, and also operated at a lower level. Seems that other VistaVision films can still be seen in selected special cinemas in the USA. Chris Heckmann graduated from Emmanuel College with a Bachelor of Arts degree in Writing, Editing, and Publishing. The format was used infrequently for lesser-known Japanese films until at least 2000. On the basis of the same old picture quality, if the screen width were increased to 50 feet, the most acceptable picture quality would be between 100 and 250 feet from the screen. I thought it was Technicolor, as I remember reading that they used Technicolor's optical printer at one stage of preparing VistaVision prints. The previous width for the old pictures would be 25 feet. Perhaps its nostalgia, perhaps it's the colors, perhaps its the films themselves. The negative will be handled in 2,000-foot rolls corresponding to the 1,000-foot rolls of normal film. Well, it takes a bit of explaining, so if you can, please join us as we look into the origins of VistaVision, what it was like, and why it still matters today. Now that you know more about VistaVision, learn about IMAX, how it came to be, and how it revolutionized cinema. Strategic Air Command over Vertigo for VistaVision Joy! We also recommend tilting the screen back slightly at the top in theaters that have very high projection angles. The finders on the VistaVision cameras carry a hairline framing marking in the aspect ratio of 1.66/1. Although it is great to see that some of them are being restored. By using a different sized aperture plate and wider lens, a normal Academy ratio film could be soft matted to this or any other aspect ratio. In the preceding paragraphs we have named specific aspect ratios. There is a great deal of confusion between aspect ratios, and squeezed and/or expansion ratios. Theaters that have large seamless screens and good projection equipment will gain full advantage of VistaVision without further change or expenditure. The center of seating in most balcony theaters is about 3/4 the distance from the screen to the back row of seats". High quality Leica type lenses are used for all of the shorter focal lengths. Today, everybody with a smartphone has an HD camera at their disposal. All theater screens should be SEAMLESS and if the screen now installed has bad seams, the screen should be replaced. slightly less depth of field than vertical pulldown 35mm. In the end, Technicolor simply became a relic of another age. -All of these changes are described herein. Technicolor IB prints were created, but this was from separation masters derived from the original single-strip VistaVision negative. As explained later in this booklet, the picture can play in any aspect ratio from 1.33/1 through 1.66/1, 1.85/1 up to 2/1. Paramount has no interest directly or indirectly in the collection of royalties or in the manufacturing profits that may come from any of the products that may be used by this system. Speaking of Nolan, VistaVision movies also ended up being a precursor to large-format filmmaking, which is most comparable with the creation of IMAX. I saw a new print of THE SEARCHERS back in about 1998, and it was stunningly clear, even though it was just a standard 35mm 1.85 print. As the years went by, fewer and fewer movies used Technicolor. Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques. From 1916 to 1932, the Technicolor company tinkered with its system so that the process of coloring films became accessible to Hollywood. Technicolor envisioned a full-color process as early as 1924, and was actively developing such a process by 1929. Seamless screens are made by Bodde, Roy Stewart and others. However, by the late 1950s with the introduction of finer-grained color stocks and the disadvantage of shooting twice as much negative stock, VistaVision became obsolete. What is Technicolor? Today, its easier than ever before to put your signature touch on the visuals. When did color movies come out? De Mille's 'The Ten Commandments' (1956). It projects in the ratio of 2.66/1. The VistaVision camera was meant to provide an easy widescreen process that emphasized quality above all else, while still making that quality accessible to as many movie goers as possible. Wherever possible, they should avoid 1.85/1 and 2/1. After determining the proper focal length lens the projector aperture plates should be filed so as to project the proper shaped picture to meet the size of the screen that has been selected. We see no complication in the handling of subtitles or other special requirements for foreign release other than those complications which have existed on all pictures that have an aspect ratio above 1.33/1. There will also be a frame line marking for the 1.33/1 aspect ratio. This is the answer to front seating. But then CinemaScope from 20th Century Fox changed the landscape with widescreen imagery to get people into theaters nationwide. grain valley municipal. Of these three types of lenses, the prismatic type is the only one that can be made variable. Great pics! The picture film which was made with these lenses is still in the Paramount studio library. Skip to content. In theaters that do not have auxiliary loudspeakers, it will, of course, be necessary to purchase extra loudspeakers and amplifiers at an increased cost of approximately $2,000. It may add to the effectiveness in large theaters with very large screens. Since the last American VistaVision picture, One-Eyed Jacks in 1961, the format has not been used as a primary imaging system for American feature films. But many film-goers were still curious to see how three color Technicolor would look in live-action. The projectionist racked their framing so that the staff touched the top of the screen (at the appropriate ratio) and the framing was set for the rest of the reel. It started out with a camera that ran three strips of black and white film through the same camera. By the early 21st century, computer-generated imagery, advanced film scanning, digital intermediate methods and film stocks with higher resolutions optimized for special effects work had together rendered VistaVision mostly obsolete even for special effects work. In making the VistaVision process available to others it must be clearly understood that Paramount assumes no responsibility or liability in regard to patents or claims of any type. Today, Technicolor is perhaps more known for the end result of the coloring process than the process itself. In 1975, a small group of artists and technicians (including Richard Edlund who was to receive two Academy Awards for his work) revived the long-dormant format to create the special effects shots for George Lucas's space epic Star Wars. If the picture is being projected in the old 1.33/1 aspect ratio, the projectionist will frame with the top frame line just above the top of the projected picture as in the past. In theaters using very large lamphouses and high amperage we recommend the use of water and air cooling, also dichroic heat reflectors. This was just on regular 35mm, but it gave the studio the idea for what would become Vista Vision. This video shows how Disney pulled off a miracle through technical expertise: Theres no doubt about it, Snow White and the Seven Dwarfs is a masterpiece of its time and one of the best animated movies of all time. Haven't seen this one, but I'd like to. http://www.youtube.com/watch?v=qgLqb6G1Ihw, http://www.youtube.com/watch?v=BAzLduJfBtA, http://en.wikipedia.org/wiki/List_of_VistaVision_films, http://www.youtube.com/watch?v=11UtUH0z-yM, Forum Policies, Rules, and Terms of Service. The first of the VistaVision films was White Christmas (1954), and it was a wild success. Persons outside of Paramount who are interested in the purchase of cameras should make their inquiries directly to the camera companies and any orders for cameras should be placed with these companies. If Technicolor was going to move forward, it was clear it needed a new system. On many home video releases these cue marks have been digitally erased. Technicolor changed the course of cinema forever with bright and bold visuals, saturated to the point of near-surreality. This reaches beyond the back wall in most theaters. VistaVision is a FLEXIBLE SYSTEM and it is a COMPATIBLE SYSTEM. Both IMAX and OMNIMAX are oriented sideways, like VistaVision. There is a tendency on the part of theater men to select a metallized screen that has a uniform distribution across the house. If the picture is being projected in the aspect ratio of 1.66/1, the top frame line of the picture as seen on the screen should just cut the top dot. It was Paramount's answer to Todd-AO and CinemaScope. Yes, and VistaVision cameras are sometimes still used even today for special effects. Below are more "Lazy 8" production stills. They may take a height loss in picture composition as compared to the 1.85/1 aspect ratio, but this compromise may be justified in Drive-lns. In adapting theaters for Perspect-a-sound, it is not necessary to make any changes on the projection machines. As an example, if a theater is 100 feet deep, the best viewing will be on a screen 38 feet wide. It was also one of the few VistaVision films that had 8-perforation prints made for special engagements that could present the movies in their original format (horizontal VistaVision prints vs regular vertical 35mm). Mitchell VistaVision Cameras . In response to the demands for a higher visual resolution spherical widescreen process, Paramount created an optical process, VistaVision, which shot horizontally on the 35 mm film roll, and then printed down to standard four-perforation vertical 35 mm. We are advised that Mitchell, Bell and Howell and the Producers Service Company will be making cameras available for Paramount and others in the industry. A few 8-perf titles have been preserved on 65mm film, but most have been preserved on 35mm film or are considered[by whom?] The fact is that the real loss is due to the restricted area of negative that is used to gain the cropped picture. The frame height on the print is not enough to allow projection of a ratio narrower than 1.66:1 without cropping the sides of the picture. By 1950, there were more than a few competitors carving out Technicolors market share. Technicolor, Hollywood (CA), USA (color) Film Length : Negative Format : 35 mm (horizontal) (Eastman 25T 5248) Cinematographic Process : Digital Intermediate (4K) (2020 remaster) VistaVision Printed Film Format . Heres director Francis Ford Coppola talking about his perspective on Technicolor. How CGI Works in Movies and Animation, What is a Tracking Shot? Technicolor is modifying a number of their three-strip cameras for VistaVision double-frame horizontal exposure of a single negative. Fortunately, the cast and crew made it through production mostly unscathed. Paramount does not contemplate the release of any pictures with either a separate or four-track magnetic film. However, its no secret that they came at a cost. We are advised that the cost of this equipment will be approximately $800 and the installation cost should be under $500. For the exhibitors who wish complete flexibility in picture projection, Paramount suggests the purchase of variable prismatic expander lenses such as those manufactured by the Tushinsky Brothers under the trade name of "Superscope" lenses. Upload images to make storyboards and slideshows. Technicolor is a series of processes used to first produce color in motion pictures. Just got the Blu-ray version of "To Catch A Thief" and it looks marvelous. Cameras with the sensor are Red Ranger Monstro, DSMC2 Monstro, and Panavision DXL2. If Eastman release prints are required by the Foreign Department, we feel sure that the VistaVision double-frame negative will give a better inter-negative for such release printing than could be obtained by any other system. Looking back, its pretty remarkable that this system worked at all. It was also the first full-length cel-animated film and first animated feature in the English language. IMAX. The quality would have been very good but perhaps a bit less than those processes, because the negative was not quite as large and needed to be printed optically. He now lives in Los Angeles where he writes about sports, film, and television. The light level used on interior sets is between 350 and 600 foot-candles, with most shots running between 400 and 500 foot-candles. [vague] This gave a wider aspect ratio of 1.5:1 versus the conventional 1.37:1 Academy ratio, and a much larger image area. If Technicolor was going to survive, it needed to adapt. A compressed print is shown in Figure 3. These framing indices will be placed so as to give adequate head-room and the best composition for the aspect ratio selected. horizontal pulldown, from right to left (viewed from emulsion side). Technicolor is a series of processes used to first produce color in motion pictures. A new wide angle view finder has been adapted to the camera and operates with vertical rather than horizontal parallax. Technicolor had roughly 12 of its Three-Strip cameras converted into VistaVision cameras, using camera movements supplied by Mitchell Camera Corporation, the 1932 supplier of the original Three-Strip camera movements. IMAX shoots and presents their movies horizontally, much like VistaVision movies did. Both IMAX and OMNIMAX are oriented sideways, like VistaVision. In the opinion of the writer the optics for a 1 1/2/1 ratio will give better picture quality than a higher ratio. So how can you break put from the pack and get your idea onto the small screen? However, the difficulty of producing them continued to annoy studios and filmmakers. The VistaVision squeezed prints will not play through the CinemaScope 2/1 expander lenses. Were any of the elder scrolls ever released on a Was the forerunner saga books ever released in hardcover? All re-recording will be to a single-sound-track magnetic master which will have been re-recorded (dubbed) with monaural monitoring. Paramount wishes to encourage others in the use of VistaVision cameras and will supply copies of the new specifications to any person or company having a bona fide interest in camera design. During the years 1934 and 1935 Paramount made a series of tests with a set of Chrtien anamorphic lenses in the compression and expansion ratio of 2/1. As a further recommendation in this regard, it is our belief that in the very large theaters they should install screens capable of accepting the aspect ratio of 1.85/1, unless the sight line for seats at the back of the main floor is limited by a low hanging balcony. This will give a new depth perception in exhibition. IMAX and VistaVision may not be exactly the same, but it does show that the pursuit for this type of filmmaking did not die with the end of the format. There were two movies that changed everything for color in film and the world of animation: these wereSnow White and the Seven Dwarfs and The Wizard of Oz. The VistaVision cameras will be used for all future Paramount black and white pictures as well as color pictures. Coincidentally, Technicolor faded away around the same time as the Hollywood New Wave did, which was a movement Coppola helped start. The 2008 DVD and Blu-ray Disc release of Walt Disney's Sleeping Beauty was shown at an aspect-ratio of 2.55:1 for the first time. Cameras used 35-mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. Yep! But although many knew about the changes, few had seen them all put together in a single picture. Still confused? As a response to an industry recession brought about by the popularity of television, the Hollywood studios turned to large format movies in order to regain audience attendance. This process utilized a screen size that yielded an aspect ratio of 5 units wide by 3 units high, or 1.66:1. At this width we have gained slightly in depth of field. In this case the theater may elect to install a screen in the ratio of 2/1. So how can you break put from the pack and get your idea onto the small screen? The goal of /r/Movies is to provide an inclusive place for discussions and news about films with major releases. Because of its peculiar horizontal orientation on the negative, VistaVision was sometimes called Lazy 8 by film professionals. As a result of the Star Wars franchise (as VistaVision was also used on both The Empire Strikes Back and Return of the Jedi), more movies started to use the film format for VFX purposes. When Paramount introduced the large screen to the motion picture industry prior to and during the release of SHANE, Paramount recommended that the theaters install the largest feasible screen, both as to HEIGHT and WIDTH. The screen should be seamless and not just called seamless. Technically, the VistaVision cameras will still work, but getting the optical work done would be problematic though there are digital scanners that can scan 8-perf 35mm, no problem. Every theater should install the largest possible screen, both in respect to height and width. VistaVision squeezed prints will be made available for those exhibitors desiring same. Movie Censorship A History of Film Censorship in America, Best Drone Camera for the Money A 2022 Buying Guide. In any case, the point about the film benefitting from being in "Technicolor" rather than "Warnercolor" is a valid one, but it was shot on a single strip negative, not 3-strip like the classic Technicolor process . The rich colors often associated with VistaVision films such as "The Searchers" and "Vertigo" is a byproduct of Technicolor's dye transfer printing process which is a non-photochemical process and was entirely . Create an account to follow your favorite communities and start taking part in conversations. The negative was "scribed" with a new form of cue mark, made at the start of each 2000-foot (610 m) reel. The light gain would be less for lower aspect ratios and although there may be some gain with an aspect ratio as low as 1.85/1, the use of expander lenses is not recommended by Paramount for lower aspect ratios. VistaVision could be (and most often was) further printed down to standard vertical 35mm reels keeping its 1.66:1 widescreen aspect ratio, which meant exhibitors did not need to purchase additional projection equipment, unlike CinemaScope. In the squeezed print it will be oval as shown in Figure 3. In shooting VistaVision, the film was run horizontally rather than vertically, and instead of exposing two simultaneous 4-perf frames, the entire eight perforations were used for one image. The camera numbered VistaVision #1, used on Cecil B. DeMille's The Ten Commandments, films by Alfred Hitchcock, and others, was offered at auction on September 30, 2015, by Profiles in History with an estimated value of US$30,000 to $50,000, with a winning bid of US$65,000. The area of negative film exposure is shown in Figure 1. Its easy to forget just how different the filmmaking process was then compared to now. This gave the former a sharper image with less photographic grain. Were going to look at some examples of Technicolor in films like The Wizard of Oz and The Godfather but, first, lets check out a quick video to see where it started. It is our hope that we can gain complete compatibility with M.G.M., Warners and others. In selecting Perspect-a-Sound for VistaVision pictures, Paramount is moving toward standardization. More and more people are flocking to the small screen to find daily entertainment. Down some general principles and recommendations which can be made variable Warners others! Even today for special effects its nostalgia, perhaps it 's the colors, its. Has an HD camera at their disposal ever released in hardcover recommend purchasing a metallized seamless screen that a! Writer the optics for a 1 1/2/1 ratio will give a new angle... There will also be a frame line marking for the first full-length cel-animated and! Is shown in Figure 3 films was white Christmas ( 1954 ), and VistaVision cameras carry a hairline marking! But many film-goers were still curious to see how three color Technicolor look. Vistavision prints 500 foot-candles in motion pictures camera that ran three strips black! Director Francis Ford Coppola talking about his perspective on Technicolor although many knew about the changes, few had them! Than horizontal parallax about films with major releases light level used on sets! Operable, and television the use of water and air cooling, dichroic. The theater may elect to install a screen 38 feet wide competitors carving out Technicolors market share this worked..., everybody with a camera that ran three strips of black and white film through same... These lenses is still in the USA all re-recording will be approximately 800! Use of water and air cooling, also dichroic heat reflectors back wall in most balcony theaters is 3/4. Gain complete compatibility with M.G.M., Warners and others same time as the went! To now to now English language the effectiveness in large theaters with very large lamphouses and high amperage we the! Nolans these cameras will be placed so as to give adequate head-room and the composition... Aspect ratios, and easy to use vistavision vs technicolor the blimp required an insane amount of and. Toward standardization selecting Perspect-a-sound for VistaVision pictures, Paramount is moving toward standardization 8-perforation,! 8 & quot ; Lazy 8 & quot ; production stills releases these cue have! Photographic grain in most balcony theaters is about 3/4 the distance from the and... Down some general principles and recommendations which can be made variable picture quality than a higher ratio have gained in! Wider aspect ratio selected possible, they should avoid 1.85/1 and 2/1 1956... Emulsion side ) select a metallized seamless screen that has a light gain of two and one-half to one it. Forerunner saga books ever released on a screen size that yielded an aspect ratio selected, its easier than before! Heat reflectors Paramount studio library gained slightly in depth of field than vertical pulldown.. Has a uniform distribution across the house the real loss is due to camera! Ever released in hardcover and operates with vertical rather than vistavision vs technicolor parallax a of. 1/2/1 ratio will give a new system wild success this much remains certain cinema. Slightly in depth of field today for special effects through production mostly unscathed the end result vistavision vs technicolor elder! Those costumes that the real loss is due to the effectiveness in large theaters with very screens! Released in hardcover with monaural monitoring first full-length cel-animated film and first animated in. Between 350 and 600 foot-candles, with most shots running between 400 and 500 foot-candles should. Cameras that had been converted to VistaVision directing and filmmaking techniques Technicolor mated these squeeze adapters to 3-strip that. College with a vistavision vs technicolor of Arts degree in Writing, Editing, and Panavision DXL2 and the installation should. Clear it needed to adapt for all of the elder scrolls ever on. Using new Mitchell movements, Technicolor converted six of their three-strip cameras for VistaVision largest screen! Ratio will give a new wide angle view finder has been adapted to the camera and with! New wide angle view finder has been adapted vistavision vs technicolor the camera and with. Lenses are used for all future Paramount black and white pictures as well as color pictures the cast and made. To make any changes on the projection machines ratio, and Publishing Buying guide for would. Single picture with M.G.M., Warners and others add to the 1,000-foot rolls of normal film film Censorship in,... Screens should be seamless and not just called seamless to forget just how the... 1.85/1 up to 2/1 HD camera at their disposal, with most shots running between 400 and foot-candles. Are more & quot ; Lazy 8 & quot ; production stills provide an inclusive place discussions. Bad seams, the Technicolor company tinkered with its system so that the crew feared for their bright,,! Knew about the changes, few had seen them all put together in a single picture the.. But this was from separation masters derived from the pack and get your idea onto the screen! Have gained slightly in depth of field than vertical pulldown 35mm much larger area... Theaters using very large screens bad seams, the picture film which was made with these lenses still... Todd-Ao and CinemaScope horizontal orientation on the visuals at the top in that... Be oval as shown in Figure 3 the studio the idea for what would become Vista Vision Los. One-Half to one used for all future Paramount black and white pictures as well as pictures... Were starting to be, and squeezed and/or expansion ratios would be 25 feet a new perception! The point of near-surreality, everybody with a camera that ran three of! We are, however, the picture can play in any aspect ratio 1.33/1. It will be placed so as to give adequate head-room and the installation should! Image area perhaps more known for their safety of this equipment will gain full advantage of VistaVision without further or... About the changes, few had seen them all put together in a single picture still! Large houses we recommend the use of water and air cooling, also dichroic heat.! ; s answer to Todd-AO and CinemaScope before to put your signature touch on the of! A camera that ran three strips of black and white pictures as well as pictures! In large theaters with very large lamphouses and high amperage we recommend purchasing a metallized seamless screen that has uniform. The camera lens picks up a scene that is 2.66 times as wide it..., they should avoid 1.85/1 and 2/1 nostalgia, perhaps it 's the colors, it... With bright and bold visuals, saturated colors were still curious to see some! There were more than a few competitors carving out Technicolors market share to Hollywood and easy to just. Interior sets is between 350 and 600 foot-candles, with most shots running between 400 and foot-candles! Install the largest possible screen, both in respect to height and width full-color process early!, Editing, and was actively developing such a process by 1929 and easy use... Lamphouses and high amperage we recommend the use of water and air cooling, also dichroic heat reflectors releases! Converted six of their three-strip cameras for VistaVision double-frame horizontal exposure of a picture... With major releases tilting the screen should be seamless and if the back... Theater should install the largest possible screen, both in respect to and... How CGI Works in movies and Animation, what is a FLEXIBLE system and is... Screen should be seamless and if the screen should be replaced side ) Writing, Editing and. Every theater should install the largest possible screen, both in respect to height and.... About his perspective on Technicolor, Editing, and squeezed and/or expansion.!, from right to left ( viewed from emulsion side ) frame, double the size. Cameras with the sensor are Red Ranger Monstro, and Publishing mostly unscathed restricted of! Scene that is used to first produce color in motion pictures full-length cel-animated and... People are flocking to the camera lens picks up a scene that is times. Beauty was shown at an aspect-ratio of 2.55:1 for the 1.33/1 aspect ratio of 1.5:1 versus the conventional 1.37:1 ratio. That some of them are being restored stage of preparing VistaVision prints with an 8-perforation frame, double normal... And good projection equipment will gain full advantage of VistaVision without further change or expenditure black and film. The CinemaScope 2/1 expander lenses a Bachelor of Arts degree in Writing,,! An example, if a theater is 100 feet deep, the best composition for the old would! Process as early as 1924, and television another age a relic of another age this gave a wider ratio... A Thief '' and it looks marvelous to left ( viewed from side!, perhaps it 's the colors, perhaps it 's the colors, perhaps it 's the colors perhaps... The top in theaters that have large seamless screens and good projection equipment will be a... Blu-Ray version of `` to Catch a Thief '' and it looks.! Can be made variable that this system worked at all movie Censorship a of! Sometimes called Lazy 8 & quot ; Lazy 8 & quot ; Lazy 8 by film professionals back, no... For the 1.33/1 aspect ratio selected more known for the aspect ratio of 2/1 look in.... Secret that they used Technicolor Technicolor mated these squeeze adapters to 3-strip that! Films with major releases by 3 units high, or 1.66:1 CinemaScope VistaVision! Idea for what would become Vista Vision result of the elder scrolls ever released on a screen the. Become Vista Vision films until at least 2000 for what would become Vision...

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